Goldsmiths Choral Union is one of London’s leading amateur choirs, giving quality performances of great choral works in London’s major venues, and rehearsing in central London. We welcome new members.



We give five or six concerts a year.
Find out about our
concerts and choral workshops.

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Find out how to buy tickets and order them online.

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Join our friendly London choir and sing fabulous choral music in London’s major concert venues.

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  • Three generations of one family sing with GCUApril 30, 2016 - 4:35 pm

    Every Wednesday afternoon I start my 90 minute journey to the weekly rehearsal at Baden Powell House looking forward not only to a wonderful sing but also to meeting up briefly both with my mother and my daughter. Our affinity for music can be traced back to my maternal grandfather who was a church organist […]

  • GCU’s Monteverdi Vespers – Fantastic Review!March 21, 2016 - 10:54 pm

    On Wednesday GCU sang Monteverdi Vespers in front of an appreciative and slightly stunned audience in Cadogan Hall.  We had a brilliant team of soloists and instrumentalists who really got into it, and music director Brian Wright commented on how splendidly the choir went from rehearsal to concert. The choir produced an impressive and stylish sound, much appreciated by the reviewer for Seen and […]

Upcoming Events

  1. Faure Requiem & Dvorak Mass in D

    June 14 @ 7:30 pm
  2. Choral Workshop – Mendelssohn Elijah

    June 29 @ 6:30 am - 9:15 pm
  3. Choral Workshop – Handel Israel in Egypt

    July 6 @ 6:30 pm - 9:15 pm
  4. Haydn Nelson Mass & Mozart Requiem

    November 4 @ 7:30 pm
  5. Carols for Choir and Audience

    December 9 @ 7:30 pm - 10:30 pm
‘It is a long while since I heard a performance of the Requiem brought off with such cool, penetrating loyalty. Praise to all concerned’
David Murray
Financial Times
‘Berlioz's Grande Messe des Morts at the Royal Albert Hall was magnificent and memorable. The choirs of Goldsmiths Choral Union and the London Philharmonic, 10 sets of timpani, four brass bands, high in the gods, and an enlarged Royal Philharmonic Orchestra prepared the eye for a musical spectacular. The glorious interweaving of musical textures - soft and calm, terrible and majestic - brought this little performed masterpiece to glorious life. Conductor Brian Wright, soloist Andrew Kennedy, choirs and players created an uplifting and cathartic experience’
Valerie Cumming
The Observer / RAH / Berlioz’s Grande Messe des Morts (Requiem)
‘This of all Beethoven’s works cost more to the composer than any other, and this unmistakably was a performance which in its brightness and freshness revealed the triumph of the achievement. In the first three sections of the Mass the clean-cut fortissimos of the chorus were consistently thrilling, with Wright often choosing challengingly fast tempi, but even there the extremes of contrast were what even more made the performance remarkable and gave it spiritual meaning’
Edward Greenfield
The Guardian / RFH / Beethoven’s Missa Solemnis
‘The performance under Brian Wright was a worthy one, gathering weight and intensity as it unfolded. The mighty opening chorus, with its suggestion of vast crowds calling to each other, provided a fittingly monumental architecture. Later, the chorus focused their music with even greater point, dramatising the different groups of people energetically and drawing us to the heart of Bach’s vision with their sturdy treatment of the chorale settings’
Anthony Payne
The Independent / Barbican Hall / Bach’s St Matthew Passion

Audio clips of GCU

Berlioz: Lacrymosa – Grande Messe des Morts

Skellern: Were you there?

Liszt: Tu es Petrus – Christus

Liszt: Pater Noster – Christus

Handel: Hallelujah, Messiah

Handel: For unto us a child is born Messiah